Seven Wings to Glory gets top billing in Thorndike Press’s March 2018 Catalog!

January 19, 2018

At the top of page 30 in the March 2018 catalog from Thorndike Press.

My third novel, Seven Wings to Glory, gets top billing in Thorndike Press’s March 2018 catalog. Thorndike Press is the leading large print publisher in the United States. The book releases in hardcover large print March 21, one month shy of the anniversary of the original publication in 2017 from Camel Press. 

 

I wrote this novel under contract on a tight deadline. I’m thrilled that Thorndike bought the rights for the new edition, and I’m equally thrilled to see the blurb from Southern Writers Magazine.

Thorndike Press will release the prequel, Johnnie Come Lately, in hardcover large print on February 21, 2018. I posted about it here. Both hardcover copies are available at most online booksellers, including Amazon, B&N, BAM, & Indie Bound. Libraries can order directly from Thorndike Press

Meanwhile, back at the writing desk, I’m working on my fourth novel which deals in part about the family of a military pilot missing in action since 1972. 

Brother and Sister Help Review New Children’s Book About Military Service

January 6, 2018

Teaching Children About Military Service

Siblings Kaili and William Jones (names and photos used with permission)

What’s the best way to review a book written for children? With the help of children, of course. And when the subject matter leans toward the somber and serious, in this case prisoners of war and service members missing in action, I enlisted the help of two children who live in my subdivision, a civilian community far away from bombs and bullets.

William is an athletic seventh grader who tells me he enjoys reading books he can check out from the library. His third grade sister, Kaili, loves to play dress up and wasn’t shy about speaking up as we discussed many of the tough themes in author Nancy Polette’s latest book for middle-grade readers, N is for Never Forget: POW-MIA A to Z (Elva Resa Publishing, 2017) and illustrated by Paul Dillon, the son of a WWII POW.

A few years ago, this brother and sister duo, along with another neighbor boy, showed up on my doorstep with homemade cookies and handwritten signs for my youngest son before he deployed to Afghanistan. To my knowledge, this is the closest these kids have come to personally knowing a soldier going off to war.

So, with William seated to my left at my dining room table and Kaili to my right, we began to discuss the stark and haunting images on the book’s cover. William pointed out the guard tower and informed his sister that there was probably a soldier up in the tower with a gun pointed down at the men huddled in coats. Kaili mentioned the snow and how cold the men looked. Then she mimicked an invisible guard up in the tower and said gruffly, “I’m warning you, don’t try to leave.” Throughout the reading of the book, she put herself into the story, imagining what it would be like to be taken prisoner, to be held against her will, and wondering if her family back home would know her whereabouts and if anyone was trying to save her. That’s what a good book does: it invites the reader to participate.

As we turned to the first page, I started to explain how the book is organized using a word starting with each letter of the alphabet. Kaili chimed in and said, “Yeah, it’s sort of like another book that might say, ‘P is for Princess or M is for Monster.’” And so we began with Artists and how “artwork reflects the hardships of prison life.” In a few brief paragraphs, the author explains how a British soldier held captive by the Japanese in 1942, fashioned a paintbrush out of human hair and used berry juice to depict the harsh treatment he and other prisoners experienced during the war. Although the guards confiscated many of the secret sketches, some of the sketches survived and show the hardship and sometimes death that prisoners endured at the hands of the enemy.

Later in the book, the images of barefoot children in threadbare clothing with downcast faces, and imprisoned behind barbed wire, prompted a lively discussion about Internment Camps and concentration camps during WWII. After William read a few lines out loud from that section, we talked about what it would be like if tanks and military trucks started rolling up and down our street and yanking people from their homes. Since my intent wasn’t to scare the children, I reassured them that hopefully our present and future leaders learn from the mistakes of the past. I appreciated that the author and the illustrator didn’t candy-coat this dark aspect of our world’s history, and the presentation of the material was age appropriate and tasteful.

One illustration shows a prisoner’s hands all cut up and bruised as he sews a crud American Flag out of scraps of material. This led to a discussion about why a prisoner might put his or her life at risk to create symbols from home. Another section talked about how Americans held in captivity during the Vietnam War created “Tap Codes” that help them communicate with other prisoners throughout camp when communication was forbidden. We role-played this part. I held up a notebook to represent a wall dividing two cells in a prison camp. William pretended to be in one cell and Kaili in the other. They couldn’t see each other or speak, not even a whisper. Then they each took turns tapping on the table, and we all three marveled at how prisoners in real life came up with secret codes to communicate. We studied the “tap chart” in the book showing letters of the alphabet and how they corresponded with the number of taps that spelled out words.

In the section, Missing In Action, a special team of investigators searches through a roped off area on a hillside deep in the jungle at what appears to be the sight of a military jet crash. The hillside is bare in places and we imagined what might have happened to the pilot and crew when the plane crashed decades ago and was never found until now. Between the illustration and the author’s explanation, we learn that every effort is made to recover and identify the remains of those missing from battles dating back decades.

At some point in our discussion, I had Kaili run into my home office and bring back a small black and white POW-MIA flag I keep on my desk. We talked about the symbolism of the flag. Then we remembered that a neighbor down the street flies a POW-MIA flag everyday, along with the American flag, on a tall flagpole in his front yard. My hope is that these children will glance up every now and then when they’re riding their bikes past the house and think about the meaning behind the black and white cloth with the silhouette of a man, a watchtower, and barbed wire, flapping in the wind.

When we turned to the section about Sacrifice, I hesitated. A part of me wanted to shield these kids from the truth. In the first illustration, a uniformed honor guard stands next to the casket of a fallen service member while members of the guard fold an American flag to present to the family. On the next page, we see the family seated near the gravesite; several generations are represented. A handsome Marine kneels before a woman as she receives the flag. A young boy clings to her side while a little girl a few feet away looks on.

As the kids and I took turns reading the short passage that accompanies this section, I realized at once why this book is so important. Military kids of all ages understand the sacrifice for the most part. Many of them have lived through the trauma of sending a parent to war, and all too many have experienced the grief that comes with sacrifice, be it death or a disability. But how many civilian kids have been sheltered from the harsh reality of war? How many civilian parents talk to their young children about those who serve in the Armed Forces?

N is for Never Forget: POW-MIA A-Z should be in every elementary and middle school library in this country. One of the goals of the book is to tell the military story to the civilian sector of our society. The book is ideal for a classroom discussion or for families who are looking for meaningful ways to honor veterans in their communities. This book can serve as a guide to help parents and educators teach children about service and sacrifice.

Librarians might consider ordering this book for their school or city libraries. Suitable for ages eight and up, patrons of all ages and backgrounds can benefit from the information presented in straightforward easy to read language. A discussion guide and a glossary explaining a few military terms are included at the back of the book.

As my young neighbors left to go home, I watched them through the eyes of a military wife and mother who’s sent loved ones into harm’s way. My hope is that more Americans can teach their children about the true cost of freedom. Reading this book is a good place to start.

Author:

Nancy Polette has written more than 170 books! She spent five years researching the life of Virginia Hall for her middle grade biography, The Spy with the Wooden Leg: The Story of Virginia Hall and worked alongside the president of the Jefferson Barracks POW-MIA Museum president to create N is for Never Forget: POW-MIA A to Z.

Illustrator:

Paul Dillon is an accomplished illustrator and cartoonist whose work has appeared in more than thirty children’s books. He digitally painted the illustrations in N is for Never Forget: POW-MIA A to Z, a middle-grade nonfiction picture book honoring the legacies of prisoners of war and those missing in action. Paul is president of the Jefferson Barracks POW-MIA Museum. His dad was a WWII POW.

Publisher:

Elva Resa Publishing, a military spouse-owned company, is the leading US publisher of resources for and about military families. Elva Resa’s mission is to make a positive difference in people’s lives.

Reviewer:

Kathleen M. Rodgers is a former frequent contributor to Family Circle Magazine and Military Times. The author of three novels, she is working on her fourth novel, which deals in part with the family of a pilot missing in action in Vietnam.

 

 

Thorndike Press to release Johnnie Come Lately & Seven Wings to Glory in hardcover large print editions

December 15, 2017

Dear Readers, Friends, and Family,

I’ve been sitting on a secret since May. I’m thrilled to announce that Thorndike Press, the leading large print publisher in the United States, will release my second novel, Johnnie Come Lately, in hardcover large print library binding February 21, 2018. The sequel, Seven Wings to Glory, will follow on March 21, 2018. This is a dream come true and will help my books find a whole new audience. Thorndike Press calls both novels “contemporary, issues-driven women’s fiction featuring warm and spunky Johnnie Kitchen and her family.”

Johnnie Come Lately received top billing under the publisher’s “Clean Reads” line on page 22 in the February 2018 catalog. To view the catalog, click here.

To pre-order either title, please visit the publisher’s website

Check with your local library to see if they carry large print books. Ask them to order both books.

I am deeply grateful to Camel Press, the original publisher for Johnnie Come Latelyand Seven Wings to Glory, for making all of this possible. Both books are available in paperback and e-book. Johnnie is out on audio.

Season’s Blessings,

Kathleen

Seven Wings to Glory featured in 2017 Holiday Catalog from Southern Writers Magazine

November 3, 2017

Books make perfect gifts for all occasions. The 2017 Holiday Catalog from Southern Writers Magazine showcases a variety of books to choose from. The online catalog is free. Click here to find the perfect book for someone on your gift list or why not treat yourself to a good read.

If you haven’t read my latest novel, Seven Wings to Glory, I hope you’ll give it a try.

Happy Holidays,

Kathleen

The Writer’s Block on LA Talk Radio host two hour special on publishing industry

September 6, 2017

Join me Thursday, September 7 at 7pm Pacific time on The Writer’s Block on LA Talk Radio. During this two hour special, we’ll be discussing the publishing industry in general.

Hope you can tune in,

Kathleen

 

My Chat with the hosts of The Writer’s Block on LA Talk Radio

April 29, 2017

If you missed my live interview on The Writer’s Block on LA Talk Radio, you can tune in to the archived edition where I chat with radio host Jim Christina and his co-host Russ Avison. We discuss my latest novel, Seven Wings to Glory, and about writing in general. Great fun.

I’m also glad I had the opportunity to talk about our military and veterans. BTW, Jim Christina is a Vietnam Vet and Purple Heart recipient.

You can purchase the novel here:

Amazon

B&N

Target

Indie Bound

 

 

Photos from Seven Wings to Glory book launch at B&N, Southlake, TX

April 9, 2017

 

Signing a copy of my third novel, Seven Wings to Glory, for the one and only Parris Afton Bonds, my writing mentor since 1984 when she was the keynote speaker at a special luncheon at the Fort Hood Officer’s Club. Parris is a NYTs bestselling author of over 40 novels. She co-founded Romance Writers of America with her dear friend, Rita Clay Estrada. This superstar writer raised 5 sons.

 

Patron of the arts Tom Rodgers and NYTs bestselling author Parris Afton Bonds meet each other for the first time after they’ve both been encouraging my writing for years. A sweet moment I will always cherish. Parris showed up with beautiful flowers.

With Tom and Brian (a super cool manager at B&N in Southlake, Tx) who is a proud military brat and also served as a pararescuman in the Air Force. Their motto is “That others may live.” 

 

 

 

Longtime church friend Tari Sanchez Bauer stopped by with her daughter Mandie. Tari’s bookclub read my second novel, Johnnie Come Lately, and they were such a welcoming group.

Janet Terneus, a loyal reader who loved Johnnie Come Lately, grabbed a signed copy of my latest. 

 

With good friend Joyce Hegeman, a fun-loving gal and fellow pilot’s wife. And dog lover, too.

 

Neighbor and friend Kathi Marrs (a military mama), Katherine Boyer (Retired Library Director of Roanoke Public Library) and dear author friend Drema Hall Berkheimer.

 

 

Rhonda Revels (far right) and our mutual friend Leisa Price Rintala. What a glorious day. Rhonda has supported me through three novels…My sons grew up thinking of her as a second mama.

 

Beverly Logan Jones and I finally met in person after being FB friends the past couple years. We have a mutual friend Wendel Sloan and she wanted to make him jealous. LOL Beverly drove in from Mt. Vernon, TX.

 

 

With my best friend from high school, Sherry Dodson Christian, and my best friend Rhonda Revels (since 1992). What a joyous moment! Sherry surprised me. She snuck up and sat down next to me while my head was turned. I had no idea she was there or that she was coming to the launch.

Always fun to connect with FB friends in person. Loved meeting Julianne Hart and her writer friend Scherry Lewis who says she’s been wanting to meet me for a long time. Thank you, ladies.

 

 

Four authors in a row…L-R Parris Afton Bonds, Jan Marler Vanek, yours truly, and Jerry Gundersheimer.

 

With longtime writer friend Melissa Embry. Mellisa went to a writers conference at Tarrant County College/NE campus and stopped by to say hi before heading home clear across the metroplex.

 

 

Jerry Gundersheimer, author of the new novel Face of the Bell Witch. Jerry and I have been FB friends for over a year and he drove all the way from Sherman, TX to meet me. Wow, so honored! Such a cool guy!

 

Family support from son Thomas, DIL Brittany, and Tom.

*Special thanks to B&N Community Relations Manager Casey Dickey for setting up the event.

 

Watercolors Inspired by Seven Wings to Glory

Updated January 18, 2018

Seven Little Girls by Jenny Zovein
Mama’s ’59 El Camino at Johnnie’s House by Jenny Zovein
Mama at War Memorial by Jenny Zovein (Johnnie Come Lately & Seven Wings to Glory), published by Camel Press.

 

Early in the writing of my third novel, Seven Wings to Glory, I reached out to watercolorist, Jenny Zovein, whose work I’d admired on Facebook. Her whimsical style appealed to me and I wondered if she could paint a few scenes to inspire me as I worked to bring the story to life.  I was on a tight deadline. She agreed and we arranged a time to discuss the project by telephone. Each time she sent me a completed painting, I propped it up in front of my computer and felt the spirits of my characters come to life.

To see more of Jenny’s work, please visit her art page on Facebook.

Seven Wings to Glory released in print and e-book from Camel Press in 2017 and is available at most online booksellers:

Amazon, 

Barnes & Noble

Thorndike Press, the leading large print publisher in the United States, will release Seven Wings to Glory in hardcover, large print library binding on March 21, 2018. The prequel, Johnnie Come Lately, releases on February 21, 2018. Both books come under the publisher’s “clean read” category. Both hardcover copies are available at most online booksellers. 

Seven Wings to Glory by Kathleen M. Rodgers: a Columnist Exposes Her Town’s Racist Past

April 1, 2017

My third novel, Seven Wings to Glory, releases today from Camel Press. The novel is a sequel to Johnnie Come Lately but can be read as a standalone story. The book is available at Amazon B&N and most online booksellers.

Endorsements and additional buying information can be found on my publisher’s website.

#MilitaryFamilies #Racism #MagicalRealism #Faith

 

New Book Release from Kathleen M. Rodgers

Dear Readers, Friends, and Family,

I’m excited to announce the April 1, 2017 release of my third novel, Seven Wings to Glory, published by Camel Press. Sometimes small towns harbor big secrets. And sometimes things just can’t be explained. Early praises are coming in from top authors around the country. To read their endorsements, please visit my website.

The print edition will be available on Amazon, B&N, and other online retailers April 1. The Kindle and Nook editions are out now.

You can ask your local bookseller or library to order the book. If you’re a member of a book club, I hope you’ll consider choosing Seven Wings to Glory for a future discussion.

The official book launch will be held at B&N, Soutlake, TX, Saturday, April 8 from 2-4 pm CDT.

All the best,

Kathleen

Johnnie Kitchen is finally living her dream, attending college and writing a column for the local paper. She adores her husband Dale and chocolate Labrador Brother Dog, and they reside in a comfortable home in the small town of Portion in North Texas. Their three children are thriving and nearly grown.

But Johnnie is rattled when her youngest boy Cade goes to fight in Afghanistan. The less frequent his emails, the more she frets for his safety. On the home front, Johnnie learns that Portion is not the forward-thinking town she believed. A boy Cade’s age, inflamed by a liberal bumper sticker and the sight of Johnnie’s black friend Whit, attacks them with the N-word and a beer bottle. After Johnnie writes about the incident in her column, a man named Roosevelt reaches out with shameful stories from Portion’s untold history. More tears and triumphs will follow, as Johnnie’s eyes are opened to man’s capacity for hate and the power of love and forgiveness.

 

Copyeditor Joyce Gilmour talks about her job in the 2017 March/April issue of Southern Writers Magazine

March 4, 2017

You can read my complete interview with copyeditor Joyce Gilmour  by subscribing to Southern Writers Magazine. The magazine is a great resource for both authors and readers and is available in print, online, and digital editions.

Editing TLC

 

 

Johnnie Come Lately Short Listed for Somerset Book Awards

February 11, 2017

My second novel, Johnnie Come Lately, moved up from finalist to the short list and is in the final rounds of judging for the 2016 SOMERSET Book Awards novel competition for Literary, Contemporary, and Mainstream Fiction. The Somerset Book Awards is a division of Chanticleer International Book Awards and Novel Writing Competitions.

The sequel, Seven Wings to Glory, releases from Camel press April 1, 2017. The novel can be read as a standalone story.

As an American novelist, I realize it’s a privilege to write fiction. I never want to take my freedom of expression for granted.

 

 

Casualties: A compelling and convincing read by debut novelist Elizabeth Marro

February 2, 2017

“His war is over. Hers has just begun.” ~ from the book jacket of Casualties, published by Berkley Books, an imprint of Penguin Random House LLC

What others are saying:

“… this powerful first novel will leave the reader reflecting for days. – Library Journal 

“Marro’s perception of the hurt and guilt her characters carry is deftly portrayed… Marro provides a clear sense that, while the past can’t be undone, the future always offers a chance to make amends, and the human spirit can triumph over pain and find hope in family and forgiveness. Marro casts a ray of hope that a good life can be lived after terrible tragedy.” Kirkus Reviews

“Elizabeth Marro made me care about these two people so much that by the end of the novel I’d forgotten they were fictional characters and I was ready to call them up to see how they were doing and if they’d finally found their way toward peace and forgiveness.”—David Abrams, author of Fobbit.

To find out how to win either an E-book or signed hard copy, read on.

Q&A with the author:

Kathleen M. Rodgers: Welcome, Elizabeth. I must admit, as a military mother whose youngest son served in combat, I approached your novel with some trepidation. From the book’s description, I knew going in that Robbie, a Marine fresh home from the war, was going to break his mother’s heart. In breaking Ruth Nolan’s heart, he broke mine as well. And yet, I couldn’t stop reading. Without giving too much of the plot away, can you describe how the story first came to you?

Elizabeth:

I knew this story would be about a mother, her son and one of the scariest “what if” questions that keeps parents awake at night. I didn’t know until we moved to San Diego in 2002 that it would be about a mother whose son goes to war. My husband and I had been living and working in central New Jersey, an area dominated by the pharmaceutical industry and other corporations. We knew few people whose immediate family were in the military. My own family’s involvement in the military ended with my father’s generation. Now we were in a city that many think of as a sunny escape to paradise but is one of the largest military communities in the country. Here we saw the recruits come in, the families waving goodbye, the pews in church occupied by one less family member as troops were deployed. Then we began to read the names of the fallen in our local newspapers and see the photographs that went with them. Each of those names led to a family whose lives would never be the same. It became important to me to try to understand their journey.

KMR: The story alternates between three point-of-view characters. First we meet military mother Ruth Nolan, an affluent executive who works for a major defense contractor. Next comes Robbie, back on American soil after fighting in Iraq. After tragedy strikes, we meet Casey MacInerney, a wounded warrior and con artist with a heart of gold. All three characters are equally convincing in their roles. How did you get inside the heads and hearts of your main characters to create story people readers care about, enough to still worry over them days after finishing the book?

EM: It’s wonderful when characters stay with you, isn’t it? I think part of it is that I lived with these people for a very long time. I had conversations with them, asked them questions, and sent them down blind alleys a few times. After all that you find you have them or, more accurately, they have you. You hear them in your dreams. They start telling you what happens. Some opened up much more easily than the others. Casey, for example, came quickly and easily. Robbie was also accessible in a way that his mother, Ruth, was not for a long time. I think that to crack to code for each of them — particularly Ruth. Initially, I was a harsh judge of Ruth but writing isn’t about judging. It’s about understanding. When I wrote a number of scenes about Ruth’s childhood that never appear in the story, I recognized her vulnerabilities in a way I couldn’t before.

KMR: Casey’s character is so authentic, not only with his war injury but his need to find a loved one he’d abandoned years ago. By the end of the story, I felt complete empathy for him due to the physical and mental anguish he’d suffered. I wanted him to be happy. Did you interview wounded warriors who’d lost limbs?

EM: Casey emerged not from interviews but from piecing together elements of men I’d observed and imagined. His conflicts stem only partly from losing part of his leg in the first Gulf War. He is shaped as much by his upbringing, the losses he’d had over the course of his life, and his need for family which is complicated by his conviction that he doesn’t really deserve that kind of love. Having a feel for who he was before the injury helped me to understand how his injury and the events that followed could land him in the situation he was in when he met Ruth.

 KMR: Casey’s love of reading and his respect for books turns what could be a cliché down-on-his-luck-character into a well-rounded person. Why is reading so important to the development of a person regardless of his or her background?

EM: As a lifelong book addict, I’m very aware of how stories have opened the world to me. They challenge me, they help me to go places and meet people I’d never otherwise meet, they help see life a little more fully. Books are also a refuge, a place to go and live for a while and to come back with a fresh perspective. Knowing Casey the way I did, I knew he’d not want to sever every connection he had with who he’d been as a promising younger person.

KMR: Is your book an indictment against war?

EM: I’ve never thought of it that way for the simple reason that I’m focusing on people, not an agenda. There are very human universal issues at stake for the characters in this story and war is one of them. Human history seems to be inextricably bound with war and I venture to guess that most of us all over the world would like to see less of it. The consequences of going to war are tremendous and far-reaching. It is important for as many of us as possible to recognize and feel those consequences on our youth, families, and communities. It is important for those of us who do not serve to recognize what we are asking those who serve to do on our behalf. We need to do what we can to be sure we are going to war for the right reasons and make sure the needs of our veterans and military families are met. And we must consider the consequences suffered by the civilians living in war zones whose lives are affected for generations.

KMR: Ruth drives an expensive jaguar. It’s sleek and represents the trappings of her well-heeled life. But later, after days on the road, the jaguar begins to show signs of a long journey. Then near the end of the story, you gift the reader with an image of the hood ornament and the symbol becomes a metaphor for the possibilities awaiting both Casey and Ruth. During the writing of the novel, did you ever find yourself wanting to take a road trip and travel the exact route of your characters?

EM: Yes! In fact, I’ve driven portions of this trip but not the whole of it. I’d love to do the whole thing some day.

KMR: I finished the last pages of your novel with a tissue pressed to my nose. When Ruth turned onto Lost Nation Road, I found myself wanting to be alone as she pulled up in front of the house she grew up in. The ending was quite satisfying and I can imagine life continuing on in this fictional world you created. Will there be a sequel?

EM: There are no plans now for a sequel. We may catch glimpses of Ruth or Robbie or Casey and his daughter in future stories about other people.

KMR: What are you working on now?

EM: I’m working on my next novel, a few short stories and some essays. The novel, as it is currently evolving, is a complete departure from Casualties.

KMR: Can you talk about your process? Did you plot out the novel chapter-by-chapter, scene-by-scene, or did you scribble a few notes and let the characters lead you on their journey?

EM: I tried everything with Casualties. I wrote thousands of pages and threw out hundreds. One thing that seems to be true for me: nothing happens unless I understand my people first. I have the basic story for my next novel but before I plot it out extensively, I want to make sure of them. That way, they can help me fill in the parts I don’t know.

KMR: Do you revise as you go or do you complete a first draft straight through and then go back and revise?

EM: I start with messy scenes and fragments, see what I’ve got, then write a draft. Then another draft, Then another one. Lots of drafts, lots of revisions. About half way through my work on Casualties, I threw out about 600 pages and was left with the last scene and a few disconnected chapters. That was the moment that got me closest to the book that was finally published.

KMR: What advice can you give writers who are struggling to write a book, be it fiction or nonfiction? Most writers deal with self-doubt about their work. How do you push through it and get your work done, especially if you’re working on a story without a deadline?

EM: There is always a deadline in my mind. I have only so many years on this planet and I want to use them as well as I can. Writing is an important part of that. These days, I feel worse when I’m not writing than when I’m struggling. Self-doubt comes with the territory. There is no getting away from it. I try to treat it as I would an itch or a cold, something temporary to be endured. The best medicine for self-doubt are writing friends who can listen and urge you on. Give yourself permission to write really awful stuff on days when it isn’t coming. Chances are you’ll stumble on a line that gets you to where you want to go the next day. Writing is like anything we’ve done in life and there is a way to draw confidence from that. We weren’t born experts in anything we’ve had to learn to do. We’ve had to figure it out, do it, practice some more. I say try anything – meditation, walking, screaming but sit down and write what you can each day even with the self-doubt riding on your shoulder.

KMR: At what age did you proclaim, “I am a writer?” Are there other writers in your family? 

EM: I was pretty young when I had dreams of writing but I was sixty when my book was published. I credit two teachers with spurring me in the direction of actually putting pen to page. The first was my third grade teacher Sister Maureen James and the second was my English teacher in high school. I wrote a story that made Sister laugh and then, later, an essay that my English teacher praised. There is at least one other member of my extended family in the business. My cousin Megan Mulry has written a series of women’s fiction novels and erotica. There may be others. I’ll start asking around! I do come from a family of die-hard readers and nothing fosters the desire to write more than reading.

KMR: You mention your ten siblings in your acknowledgements. I come from a family of six kids; I’m the third one down. I jokingly tell people I became a writer to have a voice. What role, if any, did growing up in a large family play in your becoming a writer?

EM: I’m the oldest of five and, later, my mom married a man with six kids. While still at home was always escaping into my own world. I read, I made up stories that I told to myself. I was the kid who would nod at everything my mother said while hearing nothing over the sound of my own thoughts and imaginings. I was the one who would disappear into the bathroom with a book when it was my night to do the dishes because the dishes could wait but the story I was reading could not.

KMR: When did you take up walking and how does it affect your writing? Do you go for long strolls or do you power walk to get your heart rate up? Do you have a walking partner?

EM: I began to walk in a serious way a couple of years ago. Until then, it had been something I did with my dogs (a lovely way to walk), but not a way of actually getting anywhere or of seeing anything. I gave myself a goal in 2015 to walk 800 miles for the year. I never came close but I did develop a habit that has led to so many wonderful things for me and my writing. I stroll and walk fast. I look for hills but my favorite thing is to walk the cliffs near my home and see what is new that day. I enjoy walking with others but I walk most often alone and I enjoy that too. I don’t walk with earphones in my ears and I try to notice something new each time.

Special OFFER:

To celebrate the first anniversary of Casualties, Betsy is offering a free copy of her novel to my readers. Winners can choose between a signed hard copy or a free e-book on Amazon, Barnes & Noble, or iBooks. To enter, comment below before midnight on Monday, February 6. The drawing will be held on Tuesday, February 7.

BIO:

Elizabeth (Betsy) Marro is the author of Casualties, a novel about a single mother and defense executive who loses her son just when she thought he was home safe from his final deployment. Now she must face some difficult truths about her past, her choices, the war, and her son. A former journalist and recovering pharmaceutical executive, Betsy Marro’s work has appeared in such online and print publications as LiteraryMama.com, The San Diego Reader, and on her blog at elizabethmarro.com. Originally from the “North Country” region of New Hampshire, she now lives in San Diego where she is working on her next novel, short fiction, and essays.  Casualties, published in February 2016 by the Berkley imprint of Penguin Random House, is her first novel.

 

 

 

Seven Wings to Glory featured in Eastern New Mexico University’s Greyhound Gazette

December 16, 2016

Eastern New Mexico University’s campus newspaper, Greyhound Gazette, is the first news outlet to run a story about my third novel, Seven Wings to Glory. The article is written by Wendel Sloan, Director of Media Relations for ENMU. I’m thrilled as this was the college I attended right out of high school.

 

Baby Bailino: Long Island Author of the Year Dina Santorelli pens another thriller full of heart and soul

December 13, 2016

What others are saying about Baby Bailino, a follow-up to Baby Grand

“Dina Santorelli writes a terrific thriller. Baby Bailino will grip you to the end—and long after.”

—Andrew Gross, New York Times best-selling author of The One Man

“Dina Santorelli has done it again—delivering a taut thriller with believable, flesh and blood characters and a story that stays with you.”

—Anne Canadeo, best-selling author of the Black Sheep Mysteries

Book Summary:

It’s been two years since Jamie Carter escaped captivity and saved Charlotte Grand, the infant daughter of New York Governor Phillip Grand, becoming a national hero for foiling the kidnapping plot that incarcerated reputed mobster/entrepreneur Don Bailino—the man who abducted and raped her. As Governor Grand considers his candidacy for U.S. president, Bailino inexplicably escapes from prison, and soon Jamie’s fifteen-month-old daughter, Faith—Bailino’s biological child—disappears. Jamie sets off to find her and, in the process, finds an unlikely ally in Bailino, who is on the run not only from the FBI but from members of organized crime who have a score to settle. Can Jamie trust the man who once held her prisoner? Can she rely on her instincts? And can she again find the strength to save a child when, this time, that child is her own?

My thoughts on this well-crafted story:

Dina Santorelli’s Baby Bailino kept me in a quandary from the moment I started reading until the very end: at times I wasn’t sure who to root for. Just when I thought I had the characters figured out, along came another twist and turn in an action-packed thriller full of heart and soul. Sometimes the “bad guy” might turn out to be your favorite character. As I read the last lines in this incredible story, I smiled to myself with a deep sense of satisfaction at the way things turned out.

Q&A with the author:

Kathleen: Baby Bailino is a sequel to your debut novel, Baby Grand. Was writing the sequel easier or more difficult than the first book? How long did it take you to write both books?

DS: Although it took the same amount of time to write the first drafts of both books (about a year and a half), I found writing Baby Bailino easier in one sense and more challenging in another—easier in that I felt like I was really comfortable with the characters already and felt an immediate connection, like I was reuniting with family and friends, and more difficult in that I felt the pressures of sequelhood—not wanting to repeat too much for those who read the first book, but knowing that I needed to acclimate new readers to the story. I always was conscious of that fine line between telling too much and telling too little.

KMR: Can people read the sequel if they haven’t read Baby Grand? In other words, can Baby Bailino be read as a standalone book?

DS: Yes. I wrote the sequel so that it can stand alone. However, readers of the first book will certainly get a fuller and more satisfying read—they know the backstory of these characters and bring that knowledge to the new plot.

KMR: What advice can you give writers who are struggling to write a sequel? How do you decide how much backstory to include in the second book?

DS: Oh, that’s the million-dollar question! I wish I knew.  I just try to include enough backstory so that new readers don’t feel completely lost. I find writing to be such a go-with-your-gut kind of endeavor. Whatever feels right, I try to do and hope for the best.

KMR: Do you revise as you go or do you write the first draft straight through and then go back and revise?

DS: Oh, I revise as I go. My modus operandi is to write a chapter or so at one sitting, and then at the next sitting look over what I did the session before, edit, and then go on to new material from there.

KMR: Early in the sequel, there are some fast-paced scenes that take place inside a prison. As a reader, I was pulled along with my heart in my throat. Without giving too much away, can you describe how you created this realistic setting? Did you visit a prison or talk to former inmates before you wrote this section?

DS: Actually, I made the entire thing up! For me, that’s the best part of being a fiction writer—just using my imagination. Because I’ve been a journalist for more than 25 years, I have always been tied to facts—getting descriptions right, getting attributions right. I feel so much freer as a novelist. I can do whatever I want!  That’s not to say that I don’t like to mix a little fact into my fiction. I think when novelists incorporate factual information it makes their works more believable. For instance, when I mention that Phillip Grand (fictional character) had a photo of Barack Obama (real person) on a table, that helps tie Phillip to a certain place and time that is real. I like doing that. But to write the prison scenes, I just tried to tap into that imagination and take the reader on a really interesting ride. I’m so glad you enjoyed it!

KMR: At what age did you proclaim, “I am a writer?” How did you get your foot in the door at publications like CNN and Newsday?

DS: I’ve always felt like a storyteller. Feeling like an actual writer came later. When I was in my teens, my head was full of stories, but I didn’t think my writing was good enough to make those stories come alive. It took more than twenty years as a journalist—working on my writing every day, learning how to make observations every day, meeting new and interesting people every day—to hone my craft. By telling other people’s stories, I learned how to tell my own.

Getting my foot in the door at any publication or with any new client meant getting myself to a place where I had enough experience to show I could do the job. I wrote for many publications and outlets that paid terribly and had small readerships, but I didn’t care; I wanted the experience and the clips for my portfolio. (Turns out, I learned a hell of a lot, as well, working for these publications and made contacts that impacted my career greatly.) Getting my foot in the door also meant hoping that the person/publication I wanted to work with would take a chance on working with someone new. I always say to my students (I teach Continuing Ed. at Hofstra University), “All you need is one person to take a chance on you.” I was lucky enough to have had several.

KMR: Do you attend many writers’ conferences these days? If so, which ones?

DS: The conferences I go to are more about publishing—the business of writing—such as Digital Book World, which I’ll be attending in January.

KMR: What was it like growing up in Queens? As a child, did you and your family go into New York City very often? And did living so close to the city have an influence on your writing career?

DS: I loved growing up in Queens. I was lucky to live with two parents who loved me and a strong friend network. It was really one of those “city” upbringings that you see on television where packs of kids are outside playing handball or punchball or playing tag and Red Rover well into the night. That was us. We all felt like family, and when I see old friends on Facebook, they say the same thing. We loved and protected one another—kind of like the kids on the Netflix series, Stranger Things. That was us, riding bikes and having adventures.

My family and I went to New York City on occasion, but it wasn’t really until I was driving on my own that I would go into Manhattan—“the City,” as we called it—to see plays and shows. I know it’s a cliché, but there really is such an electricity to New York City that is palpable—I still feel it to this day when I go there. It never gets old.

And, oh, yes, living there did have an influence on me! Not only did commuting to Manhattan for work foster my love of reading—I read thrillers by John Grisham, James Patterson, and Michael Crichton on the buses and subway every day—but it is just rich with people and activity. There’s a novel lurking on every corner.

KMR: You and your husband have three kids. How do you juggle family time with your professional duties as a novelist, journalist, ghostwriter, nonfiction author, and Executive Editor of Family and Salute Magazines (distributed at military installations around the country). Do you designate certain days of the week for your editing job and other days for your freelance work? And how do you squeeze in ghostwriting other people’s books on top of writing fiction? I feel like a slacker next to you.

DS: I have no idea how I do it.  I do believe, though, that you can find time for anything you want to do, if you really try. I’m a firm believer in: If there’s a will, there’s a way. To write Baby Grand, the kids were younger and demanded more of my time, so I used to set my alarm for 4 a.m. to write. I’d write for an hour or two, crawl back to bed, and then get up with them for school. It’s all about time management. I’ll designate a morning to working on a nonfiction project and an afternoon to working on a freelance article and then an evening to going out to dinner with my friends. A spiral notebook on my desk is my best friend—I write down all the things I want to get done in a day and then try to do them (my kids make fun of me for not having acclimated to Google Calendar). I may not always get to everything, but I try. Of course, as my children have gotten older, juggling has gotten a whole lot easier—at least until we got our shih tzu.

KMR: Please describe the difference between writing fiction and nonfiction. In your opinion, is one more difficult to write than the other?

DS: To be honest, I’m not sure which is easier or more difficult. Both present interesting challenges. I find fiction to be an all-encompassing kind of writing. When I’m in the throes of writing a novel, I become consumed. The characters follow me around while I’m running errands, trying to sleep, taking a shower. My brain is always trying to piece together threads of plot and dialog. It can be exhausting. It’s like I am in a constant pursuit of authenticity. For nonfiction, it’s less consuming, but just as demanding. Here, too, I strive for authenticity. In a freelance article, my concern is presenting the authenticity of whomever I’m writing about. As a ghostwriter/collaborator, I strive to bring to life the authenticity of the author of the book: Am I capturing his/her voice? Am I conveying what he/she wants to say? Did I nail the lingo? Writing fiction and nonfiction, for me, is all about finding truth, whether it’s mine or someone else’s.

KMR: In a television interview you gave a few years ago, you talked about how most writers deal with self-doubt. How do you push through it and get your work done, especially if you’re working on a story without a deadline?

DS: Ah, the dreaded self-doubt! One of my professors used to call it the “shit bird” that sits on your shoulder and constantly tells you you’re no good. Not fun. How I push through really depends on the day. Some days, I’ll just step away from the computer—I’ll take a walk or take a shower or spend time with my kids. Usually, I’ll do this when I’m feeling particularly frazzled. Other days, I’ll just sit there and push. I usually strive for 1,000 words a day when I’m writing, so I’ll just write and write until I get there, even if I think what I’m writing is awful. I have this saying: Bad writing is better than no writing. Even if I’ve written 500 words of blah, I can usually find one or two gems in there that would not have gotten written if I didn’t push.

KMR: You’ve interviewed several celebrities over the years, both in person and over the telephone. Can you give us a peek into this process? For the most part, are they friendly and accommodating or have you ever dealt with any rascals (male or female)?

DS: Most people are friendly. Usually, they are promoting films or television shows, so I expect them to be, although there have been a few “rascals,” as you describe them. (Being from New York, I would have used another word.) Some of my favorite interviews have been with James Gandolfini (telephone), Paul Reiser (in person), and Norman Reedus (telephone).

KMR: After all these years, is it still thrilling to see your byline on a story for a national publication and on the cover of your books?

DS: Yes! But, to be honest, what’s even more thrilling is when people stop me to tell me how much they’ve enjoyed something I’ve written, especially my novels. It’s one thing to write, but it’s another to connect, and I feel honored that so many readers have taken my characters into their hearts.

KMR: What are you working on now in terms of fiction?

DS: I am currently writing the third book, titled Baby Carter, in the Baby Grand thriller trilogy. I’m planning to publish it in the summer of 2018.

KMR: In closing, is there anything else you want to share about your career?

DS: Yes, not so much about my career, but I’d like to say this to all aspiring writers: Never give up. The road can be dark (and not because you’re nutty and write in the middle of the night like I do) and sometimes you’ll wonder if it’s worth it. It is. Tell your story. Stay tough, and keep on keepin’ on. Sometimes you are the only one who can see a dream, but, really, you is all you need.

BIO:

Voted one of the best Long Island authors for two consecutive years, Dina Santorelli is the author of the award-winning debut novel, Baby Grand—a Runner-up in the 2016 Shelf Unbound Best Indie Book Competition and an Honorable Mention, Genre Fiction, in the 21st Annual Writer’s Digest Self-Published Book Awards. She has been a freelance writer for nearly 20 years and has written frequently about travel, entertainment, lifestyle, bridal, and pop culture. Dina currently serves as the executive editor of Salute and Family magazines for which she has interviewed many celebrities, including Norman Reedus, Vince Vaughn, James Gandolfini, Tim McGraw, Carrie Underwood, Angela Bassett, and Kevin Bacon, among others. She has collaborated on a variety of nonfiction book projects, including Raising Men: Lessons Navy SEALs Learned from Their Training and Taught to Their Sons (St. Martin’s Press, May 2016), I, Spy: How to Be Your Own Private Investigator (St. Martin’s Press, February 2016), Good Girls Don’t Get Fat, The Brown Betty Cookbook, and Bully, and her book Daft Punk: A Trip Inside the Pyramid has been published in several languages. Dina also lectures for Hofstra University’s Continuing Education Department and is a SELF-e Ambassador for the Library Journal. For more information about Dina, visit her website at http://dinasantorelli.com

For another great interview, check out Dina’s Q&A with author and journalist Deborah Kalb.

http://deborahkalbbooks.blogspot.com/2016/09/q-with-dina-santorelli.html

Winner!

Dina Santorelli: 2nd Place, Best Long Island Author, 2013 & 2014 (Long Island Press)

Dina Santorelli: 1st Place, Best Nassau County Author, 2013 & 2014 (The Happening List)

Baby Grand: Honorable Mention, Genre Fiction, 2013 (Writer’s Digest Self-Published Book Awards)

Baby Grand: Top-rated Mystery/Thriller (Amazon Kindle)

Baby Grand: Best-selling organized crime thriller (Amazon Kindle)

 

Baby Grand is available for purchase on Amazon: https://t.co/YCFnttLfy7

Baby Bailino is available for purchase on Amazon: https://goo.gl/JZd5qO

 

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Blog: http://makingbabygrand.com